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	<title>Comments on: Life Lessons From Rubik’s Cube</title>
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	<link>http://allworkandnoplay.net/4/life-lessons-from-rubik%e2%80%99s-cube/</link>
	<description>Makes Jack Better Than You</description>
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		<title>By: Mark Meves</title>
		<link>http://allworkandnoplay.net/4/life-lessons-from-rubik%e2%80%99s-cube/comment-page-1/#comment-2</link>
		<dc:creator>Mark Meves</dc:creator>
		<pubDate>Sat, 06 Jan 2007 05:26:14 +0000</pubDate>
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		<description>Rob,

In reading this I realized that my favorite kind of storytelling (for now) is the kind that takes apparently trivial or everyday subject-matter and puts it under a microscope to see the universe inside, to better understand the universe around it -- exactly the metaphor of opening up the rubic&#039;s cube.

This is what I liked about Kundera&#039;s _Unbearable Lightness of Being_ -- it was equal parts soap opera and Nietzsche.

(ok i haven&#039;t actually read any Nietzsche)

(ok and i had too look up how to spell  Nietzsche)

I&#039;m glad to see that the wheels are in motion with this project.  It might just embolden me to tackle some of my many monsters.  (See Spalding Gray&#039;s _Monster in a  Box_, which we should watch together sometime)

Speaking of a Shroredinger&#039;s Cat-like death/suicide paradoxes, this week&#039;s New York Times magazine features eulogies for many great or interesting pubic figures and artists who died in 2006.  Reading these dozen obituraries in a row had unexpected beauty, which is relevant here only because it showed how remarkable artists and scientists chose to live their lives.

(Those I found noteable were of Syd Barret, of Brian Wilson&#039;s therapist, of Anaïs Nin&#039;s &quot;other&quot; husband, of the first psychopharmacologist, and of some playwright to name a few.)

Great job on the design of the page, btw.  (Although I do miss your hand-made graphic.  You should post it and describe how you made it, to humor me.)

Keep up the good (er, all) work!</description>
		<content:encoded><![CDATA[<p>Rob,</p>
<p>In reading this I realized that my favorite kind of storytelling (for now) is the kind that takes apparently trivial or everyday subject-matter and puts it under a microscope to see the universe inside, to better understand the universe around it &#8212; exactly the metaphor of opening up the rubic&#8217;s cube.</p>
<p>This is what I liked about Kundera&#8217;s _Unbearable Lightness of Being_ &#8212; it was equal parts soap opera and Nietzsche.</p>
<p>(ok i haven&#8217;t actually read any Nietzsche)</p>
<p>(ok and i had too look up how to spell  Nietzsche)</p>
<p>I&#8217;m glad to see that the wheels are in motion with this project.  It might just embolden me to tackle some of my many monsters.  (See Spalding Gray&#8217;s _Monster in a  Box_, which we should watch together sometime)</p>
<p>Speaking of a Shroredinger&#8217;s Cat-like death/suicide paradoxes, this week&#8217;s New York Times magazine features eulogies for many great or interesting pubic figures and artists who died in 2006.  Reading these dozen obituraries in a row had unexpected beauty, which is relevant here only because it showed how remarkable artists and scientists chose to live their lives.</p>
<p>(Those I found noteable were of Syd Barret, of Brian Wilson&#8217;s therapist, of Anaïs Nin&#8217;s &#8220;other&#8221; husband, of the first psychopharmacologist, and of some playwright to name a few.)</p>
<p>Great job on the design of the page, btw.  (Although I do miss your hand-made graphic.  You should post it and describe how you made it, to humor me.)</p>
<p>Keep up the good (er, all) work!</p>
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